Set in London in 2002, Moss & Freud follows Kate Moss at the height of her fame as she agrees to sit for the notoriously private painter Lucian Freud. What begins as a portrait commission gradually evolves into something far deeper as months of sittings foster an intense creative exchange between artist and subject. The resulting portrait, completed while Moss was pregnant, would later become one of the most celebrated works in modern British art history.

A Captivating Exploration of Creativity

James Lucas, the Academy Award-winning filmmaker behind The Phone Call and the acclaimed biographical drama Whina, returns with his most ambitious project to date. With Moss & Freud, Lucas crafts an intimate true-life drama that explores the relationship that developed between 1990s fashion icon Kate Moss and celebrated, often controversial artist Lucian Freud.

Rather than focusing on celebrity or scandal, Lucas immerses audiences in a journey of artistic expression, obsession and self-discovery. The relationship between Moss and Freud is often challenging, occasionally confrontational, yet endlessly compelling. Through their interactions, the film explores the transformative power of creativity and the unique connection that can form between artist and subject.

Style as Art

Moss & Freud is a film of immense visual sophistication. Every frame radiates creativity, transporting audiences between two contrasting worlds.

On one side is the glamorous, chaotic universe of high fashion, where Ellie Bamber’s Kate Moss reigns as both icon and enigma. On the other is the cramped and intensely personal studio of Lucian Freud, where endless hours of dedication and meticulous craftsmanship transform raw emotion into art.

Lucas and his creative team fill the screen with rich textures, elegant compositions and an atmosphere that feels almost dreamlike. The film’s aesthetic is so immersive that audiences may feel as though they are stepping directly into one of Freud’s canvases. Every detail serves the story, creating a visual experience that is both intimate and mesmerising.

Two Exceptional Performances

The pairing of Ellie Bamber and Sir Derek Jacobi proves to be the film’s greatest strength.

As Moss, Bamber delivers a remarkably layered performance that captures both the public persona and private vulnerability of one of fashion’s most recognisable figures. She charts Moss’s journey from rebellious supermodel to a woman confronting her own identity, discovering that she is far more than the images projected onto her by others. Through Freud’s gaze, Moss begins to see herself more clearly than ever before.

Sir Derek Jacobi is equally compelling as Lucian Freud. The celebrated actor brings depth and complexity to the famously demanding artist, portraying a man whose stern exterior conceals profound loneliness, loss and unexpected compassion. Jacobi’s performance reveals dimensions of Freud that go beyond his reputation, allowing audiences to glimpse the humanity beneath the legend.

Together, Bamber and Jacobi create a fascinating dynamic that drives the film’s emotional core.

Finding Healing Through Art

At its heart, Moss & Freud is a quiet and reflective film about the restorative power of creativity.

The narrative examines how artistic pursuits can become pathways to healing and self-discovery. This is particularly evident in Moss’s journey as she confronts past wounds and begins to reclaim her sense of self. Through the act of sitting for Freud and allowing herself to be truly seen, she discovers a renewed confidence and understanding of who she is beyond the world’s expectations.

It is a thoughtful and deeply human exploration of identity, vulnerability and acceptance.

Final Verdict – A Longing Tale of Creative Beauty

James Lucas’ Moss & Freud is a beautifully crafted, emotionally resonant and strikingly stylish piece of cinema. Its exploration of the artist, the muse and the transformative power of creativity results in a deeply moving experience that lingers long after the credits roll. Elegant, insightful and anchored by two superb performances, Moss & Freud is a cinematic treasure that deserves to be savoured.

Image: Vertigo Releasing

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Warner Bros. Discovery has officially unveiled the plans, pricing, and launch details for HBO Max ahead of its highly anticipated New Zealand debut on June 16, giving Kiwi audiences their first look at what promises to be one of the most significant streaming launches in recent years.

For New Zealand viewers, HBO Max’s arrival marks a major shift in the entertainment landscape. The platform will become the exclusive home for HBO Originals and Max Originals, bringing some of the most acclaimed and talked-about television programming in the world under one roof.

That means subscribers will have direct access to powerhouse series including The Last of Us, The White Lotus, Euphoria, The Pitt, and the upcoming third season of House of the Dragon, which premieres just days after launch on June 22.

And that’s only the beginning.

The service is also preparing for two of the most anticipated television events of the coming year. DC Studios’ Lanterns will debut in August, while the long-awaited new Harry Potter television adaptation will arrive this Christmas with Harry Potter and the Philosopher’s Stone, kicking off HBO’s ambitious reimagining of J.K. Rowling’s beloved fantasy saga.

Beyond its television offerings, HBO Max will arrive packed with blockbuster cinema. Subscribers can expect acclaimed new releases such as One Battle After Another and Sinners, alongside extensive collections built around iconic franchises including Harry Potter and the DC Universe.

For viewers looking for comfort viewing, fan-favourite classics such as Friends, The Big Bang Theory, and Rick and Morty will also be available at launch.

Warner Bros. Discovery has confirmed that HBO Max will launch with two ad-free subscription tiers.

The Standard Plan will be available as a special introductory offer for $10.99 per month for the first six months, or $109.99 for the first year. Following the promotional period, pricing will move to $15.99 per month or $159.99 annually. Subscribers can stream on two devices simultaneously, enjoy Full HD viewing, and download up to 30 titles for offline playback.

For those seeking a premium experience, the Premium Plan launches at $15.99 per month for the first six months or $159.99 for the first year. Once the promotional period ends, pricing increases to $20.99 per month or $209.99 annually. Premium subscribers can stream on up to four devices at once, access select content in 4K UHD with Dolby Atmos sound, and download up to 100 titles for offline viewing.

Both plans offer completely ad-free viewing.

The platform will support streaming across smartphones, tablets, computers, smart TVs, gaming consoles, and streaming devices, while also offering robust accessibility options and comprehensive parental controls for families.

With prestige television, blockbuster movies, beloved sitcoms, fantasy epics, and DC superheroes all arriving under one banner, HBO Max is positioning itself as a serious contender in New Zealand’s increasingly competitive streaming market.

The countdown is now on. HBO Max launches across New Zealand, the Cook Islands, and Tokelau on June 16.

Image: HBO Max

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What began as a simple experiment in farming has evolved into something far more compelling, and this latest season finds Clarkson facing some of his biggest challenges yet. Returning to his 1,000-acre farm in the picturesque Cotswolds, Clarkson is forced to confront a significant health scare after suffering a serious coronary event. The experience changes his perspective and raises difficult questions about both his future and the future of Diddly Squat itself.

It’s a dramatic opening to a season that balances laughter and heartbreak in equal measure.

Robots, Ridiculous Schemes, and Rural Chaos

Of course, this is Clarkson’s Farm, and no amount of serious reflection can stop the chaos from arriving in spectacular fashion.

The familiar cast of characters are all back and remain the lifeblood of the series. Kaleb Cooper continues to steal scenes as Clarkson’s no-nonsense farm manager and chief tormentor, while Lisa Hogan’s entrepreneurial ambitions create plenty of confusion and comedy. Gerald Cooper remains as delightfully incomprehensible as ever, and Charlie ‘His Cheerfulness’ Ireland once again deserves a medal for patiently attempting to rein in Clarkson’s increasingly ambitious plans.

This season also embraces the future of farming, with Clarkson becoming fascinated by agricultural technology and robotics. The results are exactly as hilarious as you would expect. Add in Bonfire Night disasters, festive pageant planning, Kaleb’s adventures beyond England, and Clarkson’s never-ending ability to create problems for himself, and there is never a dull moment.

The beauty of Clarkson’s Farm is that the comedy never feels forced. The humour emerges naturally from the personalities involved and the unpredictable reality of farming life, making every mishap feel genuine and every success hard-earned.

More Than Just a Farming Show

Beneath the laughs, Season Five continues to explore the realities facing modern farmers. The series shines a spotlight on the economic pressures, bureaucracy, and uncertainty that have become part of everyday life for agricultural communities across Britain.

These moments give the series real substance, grounding the comedy in issues that genuinely matter. Clarkson remains outspoken in his views, but the show’s greatest strength is its ability to humanise farming and demonstrate just how difficult and emotionally demanding the profession can be.

That emotional core is felt most strongly when Clarkson is faced with difficult decisions regarding the farm’s livestock. In these quieter moments, the bluster falls away, and viewers see just how deeply connected he has become to the land, the animals, and the lifestyle he has built.

Final Verdict: For the Love of Farming

Five seasons in, Clarkson’s Farm remains one of television’s most rewarding surprises. It’s funny, heartfelt, insightful, and endlessly entertaining, offering a rare combination of genuine emotion and laugh-out-loud comedy.

Whether you come for the farming, the friendships, or simply to watch Clarkson’s latest scheme go spectacularly wrong, Season Five delivers another bumper crop of must-watch entertainment.

Clarkson’s Farm Season Five is now streaming on Prime Video.

Image: Prime Video

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We were very fortunate to be able sit down with stars Li Jun Li, Jack Huston and Abraham Popoola, who portray Cat Hardy, an alluring femme fatale nightclub singer; Flint Marko/The Sandman, a damaged WWI veteran and bruising mob enforcer; and Lonnie Lincoln/Tombstone, a misunderstood giant forced to turn to criminality to survive; to discuss the series and how the series ambience, costuming and design helped to bring them into the world of Spider-Noir.

Along with chatting to LiLi, Jack and Abraham, we were also able to speak with Spider-Noir showrunner Oren Uziel to discuss the new season, and how the duality of Authentic Black & White and True-Hue Full Colour presents an interesting opportunity for audiences to experience this radical new take on the Spider-Man mythos.

Watch the full interviews here:

 

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Both the cast and Oren were incredibly insightful and thoughtful in their answers to our questions, and really presented us with an altogether new understanding of the Spider-Noir series, and it was fascinating to hear about the creative process that went into discovering their characters.

Embrace the action, adventure, decadence, glamour and excitement of Spider-Noir NOW on Prime Video.

Image: Prime Video.

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Watch the brand new trailer for House of the Dragon below:

Following the massive cliffhanger of ‘The Queen Who Ever Was’, where the armies of the both the Greens and the Blacks were amassing for a devastating fight, Season Three of House of the Dragon takes us into the calamitous fight between these two great hosts, as both Westeros burns, and the ambitions, egos, deceptions and destinies of these characters clash with one another as each vies for power in the Game of Thrones.

This new trailer gives audiences a front row seat to the devastation that is set to arrive in Season three and it’s going to start off with an utter inferno courtesy of The Battle of the Gullet, a ferocious sea battle that finds the forces of the Lord Corlys Velaryon ‘The Sea Snake’ (Steve Toussaint) engaged against the pirate Sharako Lohar (Abigail Thorn), and it’s going to be awe-inspiring and bloody site to behold.

Matched against is the growing game of political intriguing and backstabbings as Queen Rhaenyra Targaryen (Emma D’Arcy) plans to take the city of Kings Landing by force, and soon runs into the meddling actions of Queen Alicent Hightower (Olivia Cooke), and it becomes clear to Rhaenyra that if she thought she could win this war in one fell swoop, think again, as the battle for Westeros is just beginning.

The hype utterly builds in this new trailer, and audiences are presented with a ferocious presentatiuon of the choas and intrigue that is set to arrive on screens, following the release of the newly announced HBO MAX platform which is set to arrive in Mid June, alongside the return of House of the Dragon.

Ready yourself for the mania that is to come when House of the Dragon arrives on HBO Max on June 21.

Image: HBO MAX

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A strange doorway appears in the basement of a furniture showroom.

A Horror Experience Built On Dread

Expanding upon his hugely popular online anthology series, Parsons demonstrates an impressive command of atmosphere and tension in his feature directorial debut. Rather than relying on cheap jump scares, Backrooms thrives on a constant sense of unease, drawing audiences into a world where reality feels increasingly unstable and every corner hides something terrifying.

Parsons never appears overwhelmed by the larger cinematic canvas. Instead, he embraces it, crafting a horror film that feels uniquely his own. Minimal dialogue, expressive performances, eerie sound design, and an overwhelming sense of isolation combine to create an experience that feels genuinely unsettling.

What’s most striking is how Backrooms feels like horror cinema viewed through a distinctly Gen-Z lens. Parsons understands internet-era fears and digital-age anxieties, translating them into something cinematic, immersive, and deeply creepy.

Chiwetel Ejiofor And Renate Reinsve Ground The Terror

Helping anchor the film’s increasingly surreal narrative are two excellent performances from Chiwetel Ejiofor and Renate Reinsve.

Ejiofor stars as Clark, a furniture store owner and failed architect haunted by personal disappointments and drawn towards the mysterious labyrinth known as the Backrooms. As Clark ventures deeper into this impossible space, Ejiofor delivers a performance filled with vulnerability, obsession, and growing terror.

Opposite him, Reinsve continues to showcase why she’s become one of cinema’s most compelling performers. As therapist Dr. Mary Kline, she finds herself pulled into the nightmare while searching for Clark, confronting horrors beyond comprehension as reality begins to unravel around her.

Together, the pair provide an emotional foundation that keeps audiences invested even as the film descends into increasingly disturbing territory.

A Disturbing New Chapter For Horror

Visually inventive and loaded with dread, Backrooms excels at making viewers feel profoundly uncomfortable. Parsons employs disorienting camerawork, haunting imagery, and an ever-present sense that something is fundamentally wrong. Every sequence feels designed to keep audiences off balance.

Then comes a shocking third act twist that lands with devastating force, completely reframing the horrors that have unfolded and delivering one final gut punch before the credits roll.

Final Verdict: A Bold New Horror Experiment

With Backrooms, Kane Parsons announces himself as a major new voice in horror cinema. This is an ambitious, deeply unsettling film that transforms an internet phenomenon into a genuinely frightening theatrical experience. If you’re searching for a horror film that will crawl under your skin and fill you with dread, Backrooms absolutely delivers.

Image: A24 Films

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Watch the all-new teaser trailer for Primetime below:

Here’s the official synopsis:

In 2006, To Catch a Predator host Chris Hansen sets out to make television history.

Directed by Lance Oppenheim in his theatrical debut, Primetime takes audiences back to the earlyt 2000s, where journalist Chis Hansen stumbles upon a radial use of reality TV, and in the process crafts hard-hitting shock realoty TV series To Catch A Predator, which becomes a sensation, and Primetime isn’t holding back in how far it’s ready to push its narrative towards the edge.

While it had been known for sometime that Primetime was inspired by Hansen and To Catch A Predator, it came as a shock to many that Pattinson would actually be portraying the Hansen, and this elevates Pimetime to a cinema release that is decidely more interesting because of it.

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With it’s neon-tinged cinematography and edgy kinetic-presence, Primetime is sure to keep audiences on their toes, and it’s not going to be one for the faint of heart, but given Pattinson’s pedigree for delivey excellence, Primetime is certain to keep audiences primed for something very interesting.

Primetime will arrive in cinemas this September.

Image: A24

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This isn’t another polished, quip-heavy blockbuster. Instead, Spider-Noir drags superhero mythology back to the hardboiled pulp roots that inspired these stories in the first place, delivering an experience soaked in cigarette smoke, jazz rhythms, gangland violence, moral ambiguity, and trench coat-clad vigilantism. The result is something genuinely fresh: a superhero series that feels less like modern comic-book entertainment and more like a lost detective serial from Hollywood’s Golden Age. And honestly? It’s one hell of a ride.

“Spider-Noir” is a live-action series based on the Marvel comic Spider-Man Noir. “Spider-Noir” tells the story of Ben Reilly (Nicolas Cage), a seasoned, down on his luck private investigator in 1930s New York, who is forced to grapple with his past life, following a deeply personal tragedy, as the city’s one and only superhero.

Film Noir Reborn Through The Spider-Verse

Bringing Marvel Comics’ Spider-Man Noir to life, previously seen in the Spider-Man Noir graphic novels and later voiced by Cage himself in Spider-Man: Into the Spider-Verse, showrunner Oren Uziel crafts a series that feels radically distinct from anything else currently in the superhero medium.

Set within a parallel-universe version of 1933 New York City, Spider-Noir plunges audiences into a world drenched in shadow and moral decay. It’s a city of crooked politicians, smoky jazz clubs, gangsters, dames, bruisers, and desperate souls clawing for survival during the Depression era. At the centre of it all stands Ben Reilly; a washed-up private investigator with a drinking problem, a shattered conscience, and one final shot at redemption.

Uziel and his creative team absolutely revel in recreating the atmosphere of classic noir cinema. Every frame feels handcrafted to honour the spirit of filmmakers like John Huston, Howard Hawks, and Billy Wilder, while simultaneously filtering that influence through a comic-book lens. The series embraces noir not just aesthetically, but spiritually.

What makes Spider-Noir particularly inventive is its dual-format presentation. Viewers can experience the series in either “Authentic Black and White” or “True Hue Full Color.” While both versions are impressive, the monochrome presentation is undoubtedly the definitive way to experience the series. The black-and-white cinematography transforms the show into something timeless, making it feel like an unearthed relic from the 1940s.

Meanwhile, the “True Hue Full Color” version offers an equally fascinating alternative, resembling the early Technicolor processes of Old Hollywood with warm sepia undertones and rich saturation. It’s a clever stylistic flourish that gives audiences two entirely different moods to choose from.

Nicolas Cage Was Born To Play This Character

For Nicolas Cage, Spider-Noir feels like the culmination of every eccentric, inspired, and deeply committed performance instinct he’s cultivated throughout his career.

Cage has always approached acting as something heightened and theatrical, famously describing his style as “Nouveau Shamanic,” and that energy is perfectly suited to the heightened melodrama of noir storytelling. But what makes his performance here so compelling is that he doesn’t simply play Spider-Man. Instead, he fully embodies the spirit of the noir antihero.

His Ben Reilly is exhausted, cynical, emotionally battered, and drowning in regret. There’s a touch of Humphrey Bogart cool to him, mixed with the elastic physicality of a Looney Tunes character, while Cage also channels the clipped vocal rhythms of Edward G. Robinson whenever he slips into the guise of The Spider. Somehow, all of these ingredients combine into a performance that feels completely singular.

Cage’s Reilly has clearly already lived through his “Chinatown moment” long before the audience meets him. He’s a broken man who once tried to do the right thing and paid dearly for it. Whiskey bottles pile up around his office, his moral compass is barely functioning, and he’s all but abandoned the idea that heroism matters anymore.

But then comes a mysterious case. A dangerous conspiracy. A beautiful woman. And slowly, reluctantly, Ben Reilly begins rediscovering the responsibility that once defined him.

Watching Cage navigate this emotional resurrection is endlessly entertaining because the actor fully commits to every beat of it. One moment he’s brooding under the dim light of a detective’s office, and the next he’s hurling himself through windows while firing off manic one-liners beneath a trench coat and spider mask.

Long-Form Storytelling Lets Cage Truly Cut Loose

What makes Spider-Noir especially exciting is that it gives Cage room to truly inhabit a character over an extended runtime. Television and streaming have long proven to be fertile territory for character actors, and this format allows Cage to stretch his legs in ways cinema rarely permits anymore.

As Ben Reilly, he remains restrained, bruised, and melancholic. But once he embraces the identity of The Spider, Cage unleashes that unmistakable energy audiences love him for. The physical comedy, bizarre vocal inflections, and fearless theatricality all begin to emerge in increasingly entertaining ways.

Thankfully, Spider-Noir understands that noir storytelling doesn’t need to be relentlessly dour. There’s actually a sharp undercurrent of comedy woven throughout the series, and much of it comes from Cage’s wonderfully oddball performance choices. As the story progresses and Reilly becomes more comfortable stepping back into heroism, the series gains momentum and personality alongside him.

At its core, though, Spider-Noir remains a story about redemption. Beneath the webs, tommy guns, and shadowy conspiracies lies the emotional story of a man reclaiming his purpose and rediscovering what it means to stand up for others. That emotional spine gives the series real weight.

A Perfectly Cast Ensemble Brings This Noir World To Life

Supporting Cage is an absolutely stellar ensemble cast, each performer helping to reinvent classic Spider-Man mythology through the lens of noir storytelling.

Lamorne Morris shines as Robbie Robertson, reimagined here as a whip-smart investigative reporter with mile-a-minute energy and a relentless hunger for the truth. Morris brings a terrific sense of urgency and humour to the role, acting as both Reilly’s conscience and investigative partner throughout the unfolding mystery.

Meanwhile, Li Jun Li delivers genuine elegance and intrigue as Cat Hardy. Styled as the quintessential noir femme fatale, Hardy enters the story as a smoky-eyed lounge singer with secrets buried beneath every flirtatious glance. Li effortlessly channels Old Hollywood glamour while giving the character far more depth than audiences initially expect. Her chemistry with Cage is magnetic, and her arc consistently surprises.

Jack Huston proves equally memorable as Flint Marko, this universe’s version of Sandman. Reimagined as a traumatised World War I veteran turned brutal underworld enforcer, Huston gives the character a simmering menace reminiscent of Robert Mitchum-era tough guys. His physicality is imposing, while his tragic undertones lend the character real emotional complexity.

Alongside him, Abraham Popoola offers strong support as Lonnie Lincoln/Tombstone, another war veteran navigating New York’s criminal underbelly with his own ambitions simmering beneath the surface.

And overseeing it all is the always-excellent Brendan Gleeson as Silvermane, the calculating kingpin of New York’s underworld. Gleeson’s performance is quietly terrifying. Beneath Silvermane’s polished exterior and gentlemanly charm lurks a ruthless strategist constantly manoeuvring pieces across the board. His fascination with both Reilly and The Spider creates a delicious layer of tension that hangs over the entire narrative.

When The Action Arrives, It Hits Hard

While Spider-Noir initially takes its time building atmosphere and character, once the action finally erupts, the series shifts into another gear entirely.

The first major sequence featuring Cage’s Spider unleashing his powers in full is an absolute blast, and from there the action escalates rapidly. What makes these sequences especially entertaining is how creatively the series merges Spider-Man’s superhero abilities with classic gangster-era aesthetics.

Watching The Spider swing between rain-soaked buildings while gangsters unload tommy guns below creates a wonderfully unique visual identity. Fight choreography embraces both pulpy serial-style action and modern superhero spectacle, while still retaining the rough-edged grit of noir cinema.

Importantly, the action never overwhelms the storytelling. Instead, it enhances the mood and tension already simmering beneath the surface. Every brawl feels desperate. Every rooftop chase carries urgency. And every confrontation between The Spider and New York’s criminal underworld crackles with danger.

The series also deserves credit for fully embracing the weirdness of its premise. Spider powers in a noir setting shouldn’t work this well — and yet they absolutely do. Whether it’s inventive web-slinging, brutal hand-to-hand combat, or surreal detective imagery, the show constantly finds fresh ways to blend superhero storytelling with noir iconography.

Prime Video Delivers One Of The Boldest Superhero Projects In Years

Prime Video’s Spider-Noir is the complete package: stylish, atmospheric, funny, emotionally grounded, and gloriously strange in all the right ways.

Rather than chasing trends, the series confidently carves out its own identity and commits fully to its pulp-noir vision. That commitment is precisely what makes it so refreshing. This is a superhero story unafraid to get weird, theatrical, and deeply stylised, while still delivering genuine emotional stakes beneath all the shadow-drenched spectacle.

Final Verdict: Web-Spinning Excellence

Whether experienced in “Authentic Black and White” or “True Hue Full Color,” Spider-Noir stands as one of the most original comic-book adaptations in years. And at the centre of it all is Nicolas Cage, giving audiences another unforgettable performance that reminds everyone exactly why he remains one of Hollywood’s most fascinating performers.

Dark, pulpy, violent, funny, romantic, and wildly entertaining, Spider-Noir swings big, and sticks the landing.

Spider-Noir is streaming now on Prime Video.

Image: Prime Video

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The Green Lantern Oath conjures images of the Universe’s most powerful warrior corps, a group of interplanetary peace keepers made up of species from across the entire spectrum of the universe ready to face down evil, and now HBO Max’s Lanterns is tready to shake things up in an intense tale of psychological complexity as two heroes must conqueror their greatest fears.

Check out the all-new teaser trailer for Lanterns below:

Here’s the official synopsis:

Lanterns follows new recruit John Stewart (Aaron Pierre) and Lantern legend Hal Jordan (Kyle Chandler), two intergalactic cops drawn into a dark, Earth-based mystery as they investigate a murder in the American heartland.

Stepping into the fight against evil are Kyle Chandler and Aaron Pierre as Hal Jordan, a legendary Green Lantern, and fresh faced recruit John Stewart who are thrust into a brooding psychological mystery thriller that finds a sinister extraterrestrial presence on Earth, and this is definitely not the series fans had anticipated when they saw that Lanterns was arriving on HBO Max.

With it’s boots on the ground rawness, Lanterns smashes together superhero intensity, with a brooding psychological character study, and right from the heart both Jordan and Stewart make for a volatile presence, but they’ll need each others’ support if there to stop whats coming.

Joining Chandler and Pierre in the series are Kelly Macdonald, Garret Dillahunt, Poorna Jagannathan, Laura Linney, Jason Ritter, Ulrich Thomsen, Nathan Fillion, J. Alphonse Nicholson and Jasmine Cephas Jones, while the first two episodes are directed by James Hawes, with Stephen Williams, Geeta Vasant Patel and Alik Sakharov also tapped to direct.

Both Chandler and Pierre look great together on-screen and there’s an almost Butch and Sundance swagger that the pair deliver to the screen. Mixed in further is this exploration of both of their character’s’ military backgrounds, Jordan, a former Air Force test pilot, and Stewart, a former Force Recon Marine, and you can sense that this series will look to explore the presence and plight of veterans in today’s America.

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With its gripping character driven narrative story, Lanterns is set to be an intriguing watch when it arrives on HBO Max on August 17.

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Left on a high stakes cliff hanger with the armies of both the Targaryens and the Hightowers massing for a fight, Season Three of House of the Dragon is going to explode into drama, and the body count is surely going to rise.

Check out the full behind the scenes featurette for Season Three of House of the Dragon below:

This new featurette firmly encapsulates audiences in the incredible scope and massive scale that awaits in Season Three, and the focus is very much on the war, both on the battlefield, and within the halls of power, that determines the Game of Thrones, and all will be in awe once this new series arrives.

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The excitement building up around this new season of House of the Dragon also precipitates the launch of HBO Max in New Zealand with a brand new platfiorm that set to arrive on June 16, and while details are still to be made, this new platform will offer a bold new content experience for audiences.

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House of the Dragon Season Three will arrive on June 21, and the fires will roar.

Image: HBO MAX

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