The clock is ticking, and Billy Butcher and The Boys are now locked in a desperate race to secure the final vial of V-1 before it falls into Homelander’s terrifyingly eager hands. Their only lead? Bombsight: a washed-up Golden Age Supe whose current existence is less “legendary hero” and more “utter crackhead disaster.”

Naturally, finding him is anything but straightforward.

Ladies & Gentlemen, please welcome back the incomparable former Vought Executive, The Legend! The Legend is the key to The Boys’ hunt for V1. Meanwhile, Hughie and Annie go to the Democratic Church of America to plant the virus before Homelander’s big sermon, but are confronted by Oh Father in a dangerous face-off. Black Noir takes his revenge on The Deep, but with unexpected consequences. Ultimately, The Boys finally get confirmation that V1 lies with one of Vought American’s original heroes: Bombsight. But the attempt to retrieve the V1 doesn’t go according to plan, and it ends with a twist that even Sage can’t predict.

The Legend steals the spotlight once again

The search for Bombsight leads The Boys back to one of the series’ most entertaining wildcard characters: The Legend.
Yes, Paul Reiser’s gloriously sleazy Vought insider returns, and despite being a marked man hunted by Homelander’s regime, he still can’t stay away from the bright lights of showbiz. This time around, Mother’s Milk tracks him down working behind the counter at a rundown Vought theatre, a reveal that perfectly captures the faded grandeur of a man who once stood at the centre of the Supe machine.

As always, Reiser absolutely steals every scene he’s in.

Beyond the laughs and outrageous commentary, The Legend brings a surprising emotional weight to the episode. His conversations about celebrity, legacy, and the fleeting nature of fame add a reflective edge to the madness, particularly during a standout heart-to-heart with Homelander himself.

And it’s here that Antony Starr once again proves why he remains one of television’s most terrifying performers.
Homelander’s façade is cracking again. Beneath the god complex and violent narcissism lies a deeply pathetic figure terrified of irrelevance and failure. The Legend understands this better than anyone, and their exchange becomes one of the episode’s smartest meta commentaries; a brutal reflection on celebrity worship, disposable fame, and the monster Vought created.

Supes never retire gracefully

Of course, The Boys never stays serious for too long.

The hunt for Bombsight soon leads Butcher and Kimiko to Golden Geisha, Bombsight’s former flame, who now resides in a retirement village for ageing Supes. The concept alone is hysterical, and Kripke squeezes every possible ounce of comedy and grotesque absurdity from it.

Turns out getting old with superpowers is just as miserable, and significantly messier.

The resulting mission to snatch Golden Geisha spirals into one of the episode’s funniest sequences, particularly as Kimiko unexpectedly fangirls over the former Supe icon. What follows is a gloriously awkward, chaotic fight scene loaded with cringe-inducing violence, absurd physical comedy, and the kind of “I can’t believe they just did that” insanity that only The Boys could pull off.

The Deep finally gets what’s coming

Meanwhile, The Deep’s spectacular downward spiral continues, and honestly, it couldn’t happen to a more deserving idiot.

After Black Noir secretly sabotages an oil pipeline and causes what can only be described as “fish genocide,” The Deep finds himself taking the blame for the ecological disaster. Watching him unravel under the pressure is both hilarious and deeply satisfying, especially as his fragile “bro” relationship with Noir finally detonates into a brutal beatdown with major consequences.

Chace Crawford continues to deliver career-best work here, somehow balancing pathetic insecurity, frat-boy stupidity, and genuine emotional collapse all at once. The Deep remains one of the show’s funniest characters precisely because he’s so utterly hopeless.

And by the end of the episode? He’s in deeper trouble than ever before.

Bombsight arrives – and everything changes

But ‘Though The Heavens Fall’ ultimately belongs to Bombsight. Mason Dye finally makes his long-awaited debut as the unstable Golden Age Supe before his return in the forthcoming Vought Rising, and his introduction does not disappoint. Bombsight is dangerous, unpredictable, and completely broken; a relic of Vought’s past rotting in plain sight.

What begins as another violent clash soon escalates into a full-scale Supe showdown as Soldier Boy comes face-to-face with his old comrade. The fight is brutal, emotional, and packed with the kind of raw destructive energy fans have been craving.

But then everything changes.

In one shocking moment, Sister Sage’s carefully orchestrated Armageddon plan completely implodes. For perhaps the first time all season, the supposedly untouchable mastermind loses control, and watching Sage realise she’s miscalculated is immensely satisfying.

And then Homelander arrives.

What follows is pure nightmare fuel with Soldier Boy making a choice no one could foresee coming, Butcher can only scream “RUN!”, and suddenly Season Five launches headfirst into completely uncharted territory.

The endgame has truly begun

‘Though The Heavens Fall’ feels like the point of no return for The Boys. Every thread is converging, every character is spiralling, and the balance of power is shifting in terrifying ways.

The humour is still razor-sharp, the gore remains gloriously excessive, and the satire cuts deeper than ever—but beneath all the chaos is an overwhelming sense of dread.

Homelander is ascending. Butcher is losing himself. The world is crumbling.

And with only a handful of episodes left, it’s becoming frighteningly clear that nobody is getting out of this intact.

Final Verdict: HOLY SHIITTTT!

A chaotic, tension-filled powerhouse of an episode that pushes Season Five into its darkest and most dangerous territory yet.

The Boys is now streaming on Prime Video.

Image: Prime Video

The post ‘The Boys’ – Season Five – ‘Though the Heavens Fall’ – Review appeared first on SpicyPulp.

In a very special episode of The Boys, we take a closer look at the individual lives of a handful of characters over the same day. The Seven have a meeting to discuss the future of the Democratic Church of America. Firecracker struggles with the notion of replacing Jesus with Homelander in her heart. When confronted with betraying an old friend, the price of Firecracker’s loyalty will only cost her soul. We see Black Noir’s true passion for life in the theater! But Black Noir will soon learn that through his ambition, he’s made a dangerous enemy. Meanwhile, Sage stays on task with her secret plan to keep V1 away from Homelander, but she needs the help of an unlikely ally: Back Ashley. Our next character spotlight is a delightful, unexpected one: Terror! That’s right folks, Butcher’s lovable hump-crazy dog takes us through The Boys HQ, and we get heartbreaking updates on The Boys (and a quick glimpse into what dogs truly dream about). Last but not least, a kidnapped Stan Edgar gives Soldier Boy a lead on where to find V1 and so Soldier Boy and Homelander head to sunny Los Angeles. The trip is star-studded and gruesome but brings a strange opportunity for father/son bonding.

Eric Kripke goes full comic-book mode

Season Five has seen Kripke throwing absolutely everything at the wall, and somehow, every insane creative swing keeps landing. One of the biggest strengths of The Boys has always been its willingness to bend genre conventions into something fresh and unpredictable, and ‘One-Shots’ might be the show’s most playful experiment yet.

The concept is brilliantly simple: instead of focusing solely on the main narrative, the episode adopts a “one-shot” style structure, allowing supporting characters to step into the spotlight and tell their own stories from their own warped perspectives. It’s a clever nod to comic-book storytelling, where side characters and spin-off tales can suddenly reveal unexpected depth, absurdity, or heartbreak. And in true The Boys fashion, the results are gloriously chaotic.

New perspectives, old insanity

While Homelander continues his terrifying march toward self-deification, ‘One-Shots’ widens the lens and explores how his increasingly fascistic reign affects the people orbiting him.

Firecracker’s storyline proves especially compelling, as her blind devotion to Homelander begins to crack under the weight of fear and guilt. Watching her grapple with a genuine crisis of faith adds an unexpectedly human layer to a character previously defined by fanaticism and manipulation. The terror simmering beneath her loyalty makes her story one of the episode’s strongest surprises.

Then there’s Black Noir II, whose subplot delivers some of the episode’s funniest and most tragic moments. Tired of being dragged around by The Deep’s endless insecurity and idiocy, Noir attempts to pursue his passion for theatre and performance. It’s oddly wholesome watching him embrace his artistic ambitions… until, naturally, everything goes catastrophically wrong in the bloodiest and most humiliating way imaginable. Because this is The Boys, after all.

Meanwhile, Sister Sage continues to cement herself as one of the show’s most terrifying players. Her interactions with Ashley finally reveal the true extent of her master plan, and the revelation is chilling. Sage isn’t just clever, she’s completely, terrifyingly warped. And poor Ashley once again finds herself trapped in someone else’s nightmare.

The Supernatural reunion fans have waited for

One of the episode’s biggest highlights comes courtesy of Soldier Boy and Homelander’s deeply dysfunctional father-son road trip to Los Angeles, where they hunt for the mysterious V-1.

That journey leads them straight to Mister Marathon, played by Jared Padalecki, in a long-awaited reunion with Jensen Ackles that longtime fans will absolutely lose their minds over. And Kripke doesn’t stop there, bringing in Misha Collins as the delightfully grimy Malchemical, a washed-up Supe and Hollywood lowlife with ties to Vought’s darkest secrets.

The entire Los Angeles storyline is peak The Boys: a savage lampooning of celebrity culture, Hollywood excess, and corporate corruption wrapped inside a blood-soaked road-trip comedy. Padalecki and Collins fit seamlessly into the show’s filthy, chaotic universe, fully committing to the sleaze and absurdity of their characters.

And naturally, Soldier Boy’s involvement turns everything into carnage.

The sequence escalates into a spectacular eruption of gore, violence, and pure lunacy that stands as one of the season’s most entertaining stretches so far.

Terror steals the show

For all the insanity packed into ‘One-Shots,’ the emotional core surprisingly belongs to Terror, Butcher’s beloved bulldog, played by the late Bentley the Bulldog.

Terror’s storyline offers something The Boys rarely slows down long enough to explore: genuine tenderness. As the dog bounces between causing chaos, searching for snacks, and trying to make Homelander his literal “bitch,” his presence quietly exposes how fractured The Boys have become in the aftermath of Episode Four.

More importantly, Terror brings out the last flickers of Butcher’s humanity.

No matter how monstrous Butcher is becoming – no matter how corrupted his body and soul may now be – his love for Terror remains real and unwavering. When Terror lands himself in danger, it sparks the first truly heroic act we’ve seen from The Boys in a long time, reminding audiences that beneath all the rage, revenge, and brutality, these characters haven’t completely lost themselves yet.

It’s heartfelt, surprisingly moving, and a beautiful tribute to Bentley’s presence on the show.

A bold, bloody midpoint for Season Five

‘One-Shots’ is one of the smartest episodes The Boys has delivered in years. By embracing the spirit of comic-book anthology storytelling, it gives its supporting players room to breathe while deepening the larger chaos engulfing the season.

It’s inventive, hilarious, shocking, and grotesque in equal measure; loaded with savage satire, outrageous gore, and enough “what the hell did I just watch?” moments to leave audiences grinning from ear to ear. And just when you think things couldn’t get darker, Kripke closes the episode with a brutal reminder that Homelander’s rule will not be challenged lightly.

Season Five has officially crossed the halfway point, and the road ahead looks utterly terrifying.

Final Verdict: A wild, inventive detour into the beautifully batshot crazy world of The Boys

A wildly creative, gloriously chaotic episode that proves The Boys still has plenty of twisted surprises left in the tank.

The Boys is now streaming on Prime Video.

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Fresh off the escape from the Freedom Camp and The Boys are already on a mission: Dr. Sameer Shah has cooked up a new version of the Supe killing virus, and The Boys want to test it on a member of Teenage Kix. Homelander, furious at his failure, releases Soldier Boy from his cryo-chamber to send him after Butcher and The Boys. Soldier Boy, who’s keen on revenge for Butcher’s past betrayal, accepts the mission. Kimiko and Hughie get a grim glimpse into life in Homelander’s America as citizens are kidnapped from their homes and families are torn apart. Mother’s Milk rediscovers his softer side, The Deep fears he’ll be replaced, and we finally see the unsettling truth behind Ashley’s superpower. The Boys battle with Soldier Boy and Teenage Kix, and while they successfully release the virus, no one is prepared for the gruesome results of their victory.

Butcher’s warpath takes a disturbing turn

Picking up in the immediate aftermath of ‘Fifteen Inches of Sheer Dynamite,’ Billy Butcher (Karl Urban) wastes no time pushing forward with his scorched-earth plan to wipe Supes off the map. His recruitment of Dr. Sameer Shah (Omid Abtahi) marks a pivotal escalation, as the Super-killing virus inches closer to full weaponisation.

But before they can take a swing at Homelander (Antony Starr), there’s the matter of testing it.

Enter Teenage Kix; a chaotic, influencer-fuelled Supe squad that feels like Gen-Z excess dialled up to grotesque extremes. Insta-flexxing, morally bankrupt, and completely unhinged, they become the perfect test subjects for Butcher’s increasingly ruthless agenda. What follows is messy, violent, and exactly the kind of morally queasy spectacle The Boys thrives on. And yes, Rock Hard is every bit as absurd as his name suggests.

Homelander spirals… and finds a dangerous ally

While Butcher descends further into darkness, Homelander begins to fracture in a different way. Wracked with a flicker of remorse following A-Train’s (Jesse T. Usher) murder, his already fragile psyche starts to buckle, sending him down a path that feels equal parts delusion and desperate self-reckoning.

That path leads him straight to Soldier Boy.

The reunion between father and son is anything but warm, instead crackling with tension, unresolved trauma, and looming catastrophe. Jensen Ackles’ return injects a fresh volatility into the narrative, and the uneasy bargain struck between these two powerhouses sets the stage for consequences that promise to ripple across the rest of the season.

Splintering loyalties and fragile humanity

One of the episode’s strongest threads lies in how it fractures its core characters. Butcher’s “at all costs” mentality may be driving momentum, but it’s also tearing The Boys apart from within. Trust erodes, lines blur, and the moral centre, what little remains of it, continues to disintegrate.

Yet amid the carnage, there are flickers of something more human.

The return of Terror (played by the bestest boy Bentley), Butcher’s ageing bulldog, offers a surprisingly tender counterpoint. Their reunion is brief but affecting, hinting that somewhere beneath the V-fuelled rage and genocidal intent, there’s still a sliver of the man Butcher used to be. It’s a small moment, but in a show this brutal, it lands hard.

Disgust, depravity, and laugh-out-loud insanity

Of course, this is The Boys, and ‘Teenage Kix’ fully embraces the show’s signature blend of gore and grotesque comedy.

Rock Hard stands as the episode’s most outrageous creation; a fallen teenage powerhouse turned tragic, revolting punchline. His bizarre descent into isolation and “volcano porn” addiction is as hilariously absurd as it is deeply unsettling, delivering some of the episode’s most jaw-dropping moments.

Meanwhile, Ashley Barrett’s (Colby Minifie) evolution into a mind-reading Supe continues to be a waking nightmare. Her newfound abilities aren’t empowering, they’re invasive, overwhelming, and deeply disturbing. It’s a darkly comedic thread that reinforces a recurring truth of The Boys: power rarely comes without a cost, and for Ashley, that cost is utterly grotesque.

Final Verdict: A brutal escalation toward total chaos

‘Teenage Kix’ doesn’t just push the story forward—it accelerates it. Every decision carries weight, every alliance feels temporary, and every character seems to be teetering on the edge of collapse. And then there’s that ending. Another shock. Another reminder. Another brutal twist of the knife that leaves you reeling and desperate for more.

The Boys is now streaming on Prime Video.

Image: Prime Video

The post ‘The Boys’ – ‘Teenage Kix’ – Review appeared first on SpicyPulp.

Season 5 kicks off and the state of our Union is bleak: Superhero worship and Homelander have turned the country into a fascist state – but at least the Vought Shareholders are happy! “Freedom Camps” are the home of all dissidents in Homelander’s America, including Frenchie, Mother’s Milk, and Hughie. Annie and the Rebellion do their best to fight back, but they are no match for Vought’s media machine or the brain power of the new CEO – Sage. Butcher is stronger than ever and proud to embrace the monster he is while Ashley the Supe enjoys her newfound power in the East Wing as the new Vice President. We also meet Ashley’s husband, Oh Father, a clergy Supe who is terrifyingly effective at weaponizing religion in the name of Homelander’s reign. When Homelander announces the public execution of The Boys, Butcher forms an unlikely alliance with a despondent Annie and talkative Kimiko in an effort to save Frenchie, Hughie, and Mother’s Milk.

Welcome to Homelander’s America

Picking up one year after the fallout of Season Four, the world of The Boys has plunged headfirst into authoritarian nightmare territory. America now sits firmly under the heel of Homelander (Antony Starr), whose grip on power—backed by Vought—has turned the nation into a surveillance state where dissenters are rounded up and thrown into internment camps. It’s bleak, brutal, and chillingly plausible, with Kripke holding up a mirrored to our own, at times, fractious world, and it’s eerily scary how close to reality Seaosn Five of The Boys is with it’s ‘what if it went the other way’ narrative in play.

Yet, as always, resistance refuses to die quietly. Annie January, aka Starlight (Erin Moriarty), emerges as the symbolic spark of rebellion, leading the Starlighters in a fragile but determined uprising. Hope is scarce, but it’s there, and Episode One weaponises that hope into a narrative that moves at breakneck speed, dragging viewers through a storm of tension, violence, and raw emotion.

Broken heroes, worse monsters

Kripke has always excelled at walking the razor’s edge between satire and horror, and here he leans in harder than ever. The genius of this premiere lies in how deeply fractured every character has become.

Billy Butcher (Karl Urban) is no longer simply a man on a mission; he’s something far more dangerous. The V-infused darkness within him is taking hold, mutating his purpose into something monstrous. His endgame looms large, and it’s clear that whatever line once existed… is gone.

Homelander, meanwhile, remains terrifying, not just because of his power, but because of his instability. Even with total control, he’s unraveling at a breakneck pace; his narcissism festering into something volatile and unpredictable. Power hasn’t satisfied him; it’s hollowed him out.

And then there are the wildcards. Kimiko’s (Karen Fukuhara) newfound voice is one of the episode’s most wickedly entertaining surprises; her profanity-laced dialogue adding both levity and bite, even as her distrust of Butcher simmers beneath the surface. Hughie Campbell (Jack Quaid), finally shedding his passive tendencies, steps into a more assertive role, while Mother’s Milk (Laz Alonso) and Frenchie (Tomer Capone) remain grounded in the human cost of it all.

Elsewhere, The Deep (Chace Crawford) and Black Noir II (Nathan Mitchell) spiral into absurdity with a manosphere-fuelled podcast—darkly hilarious and painfully on-brand, while Ashley Barrett’s (Colby Minife) transformation into a Supe (and Vice President), and adds yet another layer of chaos, particularly with her intrusive mind-reading abilities.

A prison break drenched in blood and brilliance

At its core, ‘Fifteen Inches of Sheer Dynamite’ builds toward one central set piece: a full-scale assault on a Vought prison camp. It’s here that the episode truly ignites.

The rescue mission; bringing together Butcher, Annie, and Kimiko in a desperarte mission to bust out Hughie, MM and Frenchy, feels like classic The Boys: messy, violent, darkly funny, and utterly unpredictable. The action is relentless, escalating into a third act that channels a Supe-powered The Great Escape, albeit with significantly more gore and grotesque humour.

And true to form, the show doesn’t pull its punches. The climactic confrontation delivers consequences that ripple across the entire season, making one thing abundantly clear: NO ONE IS SAFE. Not this time. Not anymore.

Final Vedict: A vicious, electrifying start to the end

If this premiere proves anything, it’s that The Boys is going out swinging, and then some. The energy is dialled up to eleven, the satire cuts deeper than ever, and the violence is as messy as it is purposeful.

This is superhero storytelling with its gloves off, its teeth bared, and absolutely no intention of playing nice.
Strap in, because if ‘Fifteen Inches of Sheer Dynamite’ is anything to go by, Season Five isn’t just building toward an ending—it’s hurtling toward an explosion, and it’s going to be nuclear!

The Boys is now streaming on Prime Video.

Image: Prime Video

The post ‘The Boys’ – Season Five – ‘Fifteen Inches of Sheer Dynamite’ – Review appeared first on SpicyPulp.

Watch the Final Trailer for the Final Season of The Boys below:

Here’s the official synopsis:

In the fifth and final season, it’s Homelander’s world, completely subject to his erratic, egomaniacal whims. Hughie, Mother’s Milk, and Frenchie are imprisoned in a “Freedom Camp.” Annie struggles to mount a resistance against the overwhelming Supe force. Kimiko is nowhere to be found. But when Butcher reappears, ready and willing to use a virus that will wipe all Supes off the map, he sets in motion a chain of events that will forever change the world and everyone in it. It’s the climax, people. Big stuff’s gonna happen.

With Homelander (Antony Starr) firmly in control of the world, and their being no line left for him to cross as he holds supreme power and authority, we now find the remnants of former covert black ops team and dedicated supe hit team The Boys, pulled back together by a terminally dangerous Billy butcher (Karl Urban), and it’s about to get fucking mental!

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Series showrunner Eric Kripke has thrown any kind of filter out of the window (not to any kind of guard rails that stopped him before), but it’s all been ramped up for Season Five, and there’s plenty of crazy being offered here. And this chiefly concerns Hiomelander’s hunt for the legendary V1, Vaut’s first iteration of Compund V, which, if he got his hands on it would make him immortal.

Add in Butcher’s one-way appetite for destruction, Soldier Boy’s return, the Deep and Black Noir’s manosphere podcast, a whole heap of wanton chaos and plenty of explosive action, not to mention the fact that Kimiko, aka The Female (Karen Fukuhara) can now talk, and it’s about to get crazy.

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All the stops have been brought out for Season Five, and this includes a talented new line-up of guest stars featuring Daveed Diggs, Jared Padalecki and Misha Collins, along with some utterly mental action, and the return of the ever-lovable Terror (played in a final beautiful performance by Bentley the Bulldog), and it’s all making for a must-watch event!

Ready yourself for something totally wild, uncontrollable, exceedingly raw, and just straight up wicked when The final season of The Boys arrives on Prime Video on April 8, with the epic, bloody and diabolical final episode set to premiere on May 20.

Image: Prime Video

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Watch the all-new trailer for The Boys Season Five below:

Here’s the official synopsis:

It’s Homelander’s (Antony Starr) world, completely subject to his erratic, egomaniacal whims. Hughie (Jack Quaid), Mother’s Milk (Laz Alonso), and Frenchie (Tomer Capone) are imprisoned in a “Freedom Camp.” Annie (Erin Moriarty) struggles to mount a resistance against the overwhelming Supe force. Kimiko (Karen Fukuhara) is nowhere to be found. But when Butcher (Karl Urban) reappears, ready and willing to use a virus that will wipe all Supes off the map, he sets in motion a chain of events that will forever change the world and everyone in it. It’s the climax, people.

Picking up six months are the utter insanity that we saw in Season Two of Gen V, we now find rag-tag black ops Supe killing unit, The Boys, now turned into humanity’s last hope of resistance against the Supes, and this teaser promises a hell of hard fought battle of sheer attrition with lashings of blood, guts and gore, and it’s going to be an utter insane watch all the way up to the end in eight episodes of sheer bloody madness courtesy of longtime showrunner Eric Kripke.

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While this new teaser trailer does touch on the incoming war between The Boys and the Supes, things are left rather cryptic, and Kripke and Prime Video just offer a highlight of what is to come… and it looks bloody insane.

One if the coolest parts of Season Five is that we’ll be getting a Supernatural reunion of sorts with not only Jenson Ackles returning as Soldier Boy and Jeffrey Dean Morgan as Joe Kessler, but also with appearances set to be made by Jared Padalecki, whose unnamed, yet gaudy, flashy character makes an appearance in the trailer, along with Misha Collins all set to make an appearance in the upcoming series.

Season upon season The Boys has turned up the sheer insanity of its concept, continually finding new ways to shock us to our core with how extreme Kripke has been able to take this show to, and now in Season Five, he’s going full blast! And if this teaser trailer is anything to go by, well, it’s going to be one of a final ride, and to quote Billy Butcher “even if I have to drag your broke fucking carcasses over the finish line… we are going all the way.” Nuff said!

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Brace yourself for what will be the most epic television event of 2026 when Season Five of The Boys arrives on Prime Video on April 8.

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In a surprising season finale twist, Sam teams up with Cate, spreading terror on campus. Andre has a life-or-death choice to make while Marie and Emma learn new ways to utilize their powers. It’s a show stopping civil war of supe against supe, friend against friend showdown, and nothing will ever be the same for our young heroes.

When reviewing Episode 8 of Gen V, ‘Guardians of Godolkin’, this episode comes down to thirty-two minutes of absolute chaos as Sam unleashes the residents of The Woods and its free range on all non-supes. Friendships are tested, explosions go off, and blood is spent in this mental watch! Gen V and the world of The Boys in general have made a habit of turning up the volume when it comes to the creativity that can be applied to blood and gore, but this episode takes it to a new level, and not even the supes get off lightly in this one.

‘Guardians of Godolkin’ is the culmination of the actions and decisions that our lead characters have made this season, and it becomes clear that each of them has to pick a side. What this ultimately boils down to is a battle between Marie and Cate. And it’s a bloody showdown that doesn’t end well! In ‘Guardians of Godolkin’, showrunners Craig Rosenberg, Evan Goldberg and Eric Kripke prove that they can turn up the shock factor, and the results are one ‘popping’ good time!

But the surprises don’t end there, and everything takes a turn when a certain supe named Homelander (Antony Starr) touches down on the Godolkin University campus and puts an end to Marie and Cate’s rampage! Starr brings his trademark squirminess and cheeky style to this guest cameo appearance, and his presence sets the stage for the lead into the much anticipated fourth season of The Boys. Oh, and stay for the end credits because the brooding Billy Butcher (Karl Urban) ain’t gonna miss out on the possibilities of The Woods and their ‘supe ending’ treats, and it’s a moment of pure Butcherness courtesy of Karl Urban.

Gen V is, far and away, one of the wildest and craziest streaming events of the year, and it’s completely opened up the world of The Boys in a totally new direction. As we move into season four of The Boys, and with the announcement of a second season of Gen V on the way, I think that it’s only about to get more interesting from here.

Gen V streams on Prime Video.

Image: Prime Video

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Following her revelation of the truth about Homelander (Antony Starr) and Vaught following the infamous ‘Herogasm’ event on social media, Annie January/Starlight (Erin Moriarty) is now public enemy number one in the Supe world, with the company thrown into crisis mode. And Homelander is not handling it very well. Caught on the very edge, he’s a twitchy, paranoid mess, and it’s no good for anyone. But while America’s greatest hero is trying to hold it together, Billy Butcher (Karl Urban) and Hugie Campbell (Jack Quaid) are stuck with a murderous Soldier Boy (Jensen Ackles). And he’s ready to finish off his Paynack team once and for all.

While ‘Herogasm’ might have been a peak moment of The Boys, Episode Twenty-Three, ‘Here Comes a Candle to Light You to Bed’, contains the fallout that follows, and this is one morning after that isn’t very pleasant. The narrative is twisted, the action is brutal, and the mystery of this collection of oddball, deranged characters are laid bare for audiences with ‘Here Comes a Candle to Light You to Bed’ which delivers a very intense psychological edge to the storytelling of The Boys. For much of this series, this collection of characters, whether they be ‘The Boys’ or the ‘Supes’ have remained a mystery to us. We’ve had insights into what makes them tick, but in this episode, we finally come to understand why they do what they do, and as we’ve come to expect, it’s shocking.

‘Here Comes a Candle to Light You to Bed’ is a key episode for the character of ‘The Boys’ leader and all-around ruffian Billy Butcher. Throughout this series, Billy has been the driving force of the series. An unhinged, psychotic vigilante prone to wanton acts of violence and cruelty, all in service of his own personal needs, Billy is, to put it mildly, a complex protagonist. But while Billy has a streak for being a bully, he’s also become fiercely protective of Hughie Campbell and has occasionally proven that he’s a monster with a heart. Now audiences get an insight into the actions and events that informed the creation of Billy Butcher, and it’s a heartbreaking turn of events to witness. While Billy does get a moment of self-forgiveness, Butcher, being Butcher, is just ready to make things worse for himself and everyone around him. And oh of how he’s doing to do it this time.

Audiences also get a deeper look into the life and history of Soldier Boy, and while we’ve come to accept him as a bitter, racist, misogynistic, sexist dinosaur….he’s even worse than we could have imagined. In ‘Here Comes a Candle to Light You to Bed’ it becomes abundantly clear that Solider Boy is the shitbag to end all shitbags, and his legend is shattered in this episode. He’s a deplorable, thoroughly wretched character, and Jensen Ackles leans into these moments with absolute glee. Since his first appearance in ‘Barbary Coast’ we’ve seen a dramatic transition in his character arc, and now the chains are off, and Soldier’s Boy’s ready to bite!

The drama is heavy, complicated and tortuous in ‘Here Comes a Candle to Light You to Bed’, and this psychologically complex episode will leave your emotions spent. But it wouldn’t be The Boys without a bit of excessive violence and a good splattering of gore. And there’s plenty of that to be had in this weeks’ episode. Throughout this third season of The Boys we’ve seen an inventiveness to the carnage, and there’s some considerable intensity to the violence of ‘Here Comes a Candle to Light You to Bed’. But nothing is more shocking than a new revelation that closes out the episode, and it’s a surprise that hits the audience like a freight train.

We’re nearing the end of the third season of The Boys, and this has been the most savage and mental season yet. But with such a shocking revelation, it’s anyone’s guess as to what comes next in television’s most insane show, and I expect that there’s a lot of gore still to come.

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Having made his escape from Russia, Solider Boy (Jensen Ackles) sets out to get answers, and everyone had better watch out. Then there’s ‘The Boys’ who are facing their own internal struggles with Hughie Campbell (Jack Quaid) getting honest with Annie January/Starlight (Erin Moriarty) about just what he’s been up too. While Billy Butcher (Karl Urban) has his own twisted plan, and his sight is set on a brand new weapon that might just turn the tide against mortal enemy Homelander (Antony Starr).

Week by week on Season Three of The Boys the narrative keeps getting crazier, and a real spanner has been thrown into the works thanks to the arrival of Soldier Boy (Jensen Ackles). Formally presumed dead, Solider Boy has in fact been kept as a prisoner and experiment subject by the Russians in their hopes to duplicate his powers. And now that he’s free, he’s got a score to settle with those who put him there. And he’s very pissed off! Ackles makes for a real feral beast of a character as he explores an entirely new world, and he’s completely out of his element, and this makes him even more dangerous than audiences could have ever imagined.

Then there’s ‘The Boys’, and Billy’s up to his old tricks. Ready to use anyone for his own ends, Billy pulls in the assistance of a one-time ally who isn’t his biggest fan, and he also gets to relieve some much needed stress thanks to the help of Queen Maeve (Dominique McElligott). ‘The Last Time to Look on This World of Lies’ is a set-up kind of episode, this is ‘The Boys’ doing the grunt work for what is to come, but there’s some great insights, quriks and cameos in this episode, and I’m certain that they’re going to have a massive impact as we move forward in Season Three.

There’s also a great level of carnage in ‘The Last Time to Look on This World of Lies’ and while I don’t want to reveal any kind of spoilers so that audiences can saviour the destruction that follows, things certainly get explosive. ‘The Last Time to Look on This World of Lies’ is also an important episode as we come to see the inner workings of our characters at play. Their emotions and desires are placed in front of audiences, and much of the importance of this episode hinges on the dramatic weight that is present in this episode. Plus, there’s some quality comedy for good measure as well.

We’re moving at pace with The Boys, and it’s about to get gnarly as we move into the crux of this season and the eve of the notorious ‘Herogasm’ event! You thought it was wild already? Just wait for what comes next!!!

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Striking an agreement with Russian mob boss Little Nina, Billy Butcher (Karl Urban) and ‘The Boys’ travel to Russia to seek out the mysterious supe killing weapon ‘B.C.L. RED’. And their discovery has unexpected and world-shattering consequences. Then there’s the brewing internal coup that is forming around unhinged and psychopathic superhero Homelander (Antony Starr), which is led by Annie January/Starlight (Erin Moriarty), and it’s getting dangerous for everyone’s favourite superheroine.

We’re right on track with Episode 20 of The Boys, and it’s time for a bit of road trip action as ‘The Boys’ gear up for a mission in Russia as they seek to unearth the mysterious supe-killing weapon B.C.L. RED, which might just give them the edge in their fight against Vought and Homelander. This shift in setting gives audiences a greater look at the context of superheroes and Vought in a larger international setting, and Homelander doesn’t appear to be getting a lot of love from the Russians. However it’s not as simple as just infiltrating a secret laboratory and discovering B.C.L. RED, because Butcher and the crew have a little job to do first. And it falls to Kimiko (Karen Fukuhara) to deal with it.

As ‘The Boys’ resident supe, Kimiko is sent in undercover to kill a rival mob boss for Little Nina, and it gets deranged, sexual and bloody in very quick succession. A tribute to the twisted creativity of showrunner Eric Kripke, Kimiko performs this incredibly gory assassination thanks to an assortment of supe-themed sex toys and it gets twisted and bloody fast. This gore meets absurdity aspect of The Boys has always been one of the series’ most integral parts, and each time there’s a good dose of blood and guts, the audiences are in for something wild. And that’s exactly what we get with this scene. But this gory fight scene is also a moment of critical revelation for Kimiko and it’s a character-defining moment.

Then of course there’s the infiltration of a top-secret government base where the Russian government have been trying to craft their own superhero. And they’ve had some very interesting results. Again it’s a great space for Kripke’s twisted mind to go to work, and the absurd violence is zany to witness. Butcher also showcases his newfound V24 powers, and ‘The Boys’ are not impressed. But the biggest revelation comes with the resurrection of Solider Boy (Jensen Ackles), who has been seemingly locked away as a prisoner test subject by the Russians. And he’s not very happy about it.

Back on the mainland, a new conspiracy is building around Homelander, but as expected it doesn’t turn out the way it was originally planned out. Now firmly in the grasp of an unhinged psychopath, Annie January/Starlight is trying to do everything in her power to resist Homelander’s cruelty. The tensions within Vought International come to the forefront in ‘Glorious Five Year Plan’ and the final moments of this episode is packed full of personal horror, and cements the reign of terror of Homelander. And it’s just the way he wants it.

It’s getting interesting in The Boys, and just when you think you know where this narrative is going a wild card is thrown in for good measure and it’s these unexpected moments that truly take the audience by surprise. Our characters are all facing a significant uphill battle at the moment and I’m certain that it’s gonna get worse for all of them before there’s even a hint of it getting better. And that’s just the way we like it with The Boys.

The Boys streams every Friday on Prime Video

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