That question lies at the heart of director Michael Sarnoski’s brooding and deeply affecting The Death of Robin Hood, a daring reimagining of one of history’s most enduring folk legends. There are no Merry Men here. No Sherwood Forest. No romantic adventures with Maid Marian. Instead, Sarnoski strips away centuries of folklore to reveal something far more unsettling: the story of a violent, broken man confronting the consequences of a lifetime of bloodshed.

The result is an absorbing, harrowing, and utterly transcendent piece of cinema.

Gravely wounded and hunted by enemies old and new, an ageing Robin Hood (Hugh Jackman) finds refuge within a remote religious community, where he is nursed back to health by Sister Brigid (Jodie Comer), a compassionate prioress who forces him to confront the darkness of his past.

Michael Sarnoski’s Visionary Reinvention

With Pig, Michael Sarnoski established himself as one of modern cinema’s most thoughtful storytellers, crafting intimate narratives that explore grief, identity, and redemption. He later proved his blockbuster credentials with A Quiet Place: Day One, but with The Death of Robin Hood, he delivers perhaps his most ambitious work yet.

Drawing inspiration from the medieval tale Robin Hood’s Death or Robin Hoode his Death, Sarnoski transports audiences to the rugged Celtic borderlands of 1247 AD and offers a version of Robin Hood unlike any seen before. This Robin is not a noble outlaw fighting injustice. He is a predator, a brigand, and a man haunted by the devastation he has left behind.

What unfolds is less an adventure than a reckoning. Sarnoski uses the legend as a vehicle to explore mortality, guilt, redemption, and the stories humanity creates to soften uncomfortable truths. The film unfolds with a hypnotic intensity that steadily tightens its grip, drawing audiences deeper into its melancholy and moral complexity.

A World Built from Mud, Blood and Faith

One of the film’s greatest achievements is its extraordinary sense of place.

This is not the romanticised medieval England of popular imagination. Instead, Sarnoski and cinematographer Pat Scola immerse viewers in a harsh, rain-soaked world of mud, stone, smoke, and violence. Every frame feels tangible and lived-in, creating an atmosphere that is both brutal and authentic.

The film’s visual language evolves alongside Robin’s journey. The opening chapters are dominated by earthy tones, shadowy forests, and flickering firelight that reflect his savage existence. Later, as the story moves to the Abbey of St Clement, cooler palettes and luminous whites introduce a sense of spiritual possibility and redemption.

Every texture, costume, and location feels handcrafted, reinforcing the emotional weight of the story and grounding its mythic themes in a stark human reality.

Hugh Jackman’s Finest Performance Yet

Modern audiences largely associate Hugh Jackman with heroism. After all, few actors have had a greater impact on contemporary cinematic heroes than his iconic portrayal of Wolverine.

Here, however, Jackman does something entirely different.

Anyone expecting a medieval variation of Logan may be surprised. His Robin Hood is not a weary hero but a deeply flawed and brutal beast of a man whose legend has obscured a lifetime of cruelty. Once a nobleman, Robin has become consumed by greed, violence, and selfish ambition. He robbed indiscriminately, killed without hesitation, and revelled in his own brutality. Now, facing the twilight of his life, he is forced to reckon with the damage he has inflicted.

Jackman delivers a remarkably restrained and introspective performance. Speaking little but communicating volumes through expression and physicality, he appears as a wolf-like presence, haunting and always scanning the horizon with the eyes of a hunter, and the instincts of a predator, but his portrayal leans into a man wrestling with guilt, regret, and the possibility of redemption. As Robin’s relationships, with his charge, Little Margaret, and Sister Brigid deepen, Jackman gradually peels back the armour surrounding his character, revealing unexpected vulnerability beneath decades of violence.

It is a layered, emotionally devastating performance and arguably one of the finest of his career.

Jodie Comer Shines as the Film’s Moral Compass

Counterbalancing Robin’s darkness is Jodie Comer, who is exceptional as Sister Brigid.

While echoes of Maid Marian linger within the character, Brigid is far more than a romantic counterpart. She is a healer, a woman of faith, and one of the few genuinely compassionate figures inhabiting this unforgiving world. Yet she is also burdened by her own secrets and uncertainties.

Comer imbues the role with extraordinary grace and emotional intelligence. There is an almost ethereal quality to her performance, but beneath that serenity lies a powerful inner strength. As Brigid’s beliefs are tested and her connection to Robin deepens, Comer delivers some of the film’s most emotionally charged moments.

Together, she and Jackman create a compelling dynamic that becomes the emotional core of the narrative.

A Visceral and Emotional Experience

The Death of Robin Hood unfolds in two distinct movements.

The first is a brutal descent into chaos, filled with savage violence and primal conflict. Battles are ugly, desperate affairs where bones break, blood spills, and survival comes at a terrible cost. Sarnoski refuses to romanticise violence, presenting it with shocking immediacy and visceral impact.

The second half shifts into a more contemplative register as Robin seeks refuge within the Priory of St Clement. Yet even amid its tranquillity, danger remains ever-present. The threat of violence hangs over every scene, heightening the emotional stakes and driving the story toward its heartbreaking conclusion.

The film’s final act is nothing short of devastating. As questions of legacy, redemption, faith, and myth converge, audiences are likely to find themselves fighting back tears as Robin’s story reaches its inevitable end.

Final Verdict: A Myth Stripped Bare

The Death of Robin Hood is a bold, uncompromising reimagining of one of history’s most celebrated legends. Michael Sarnoski strips away centuries of romanticism to uncover the flawed man beneath the myth, crafting a profound meditation on redemption, mortality, and the stories we tell about ourselves.

Anchored by career-best work from Hugh Jackman and a luminous performance from Jodie Comer, this is a raw, haunting, and deeply moving cinematic experience.

By the time the credits roll, audiences won’t simply have witnessed the death of Robin Hood; they’ll have witnessed the birth of the true legend.

Image: MadMan Films/A24

The post ‘The Death of Robin Hood’ – Hugh Jackman Delivers a Haunting Farewell to a Legend – Review appeared first on SpicyPulp.

So fortells the tale of The Death of Robin Hood, a brooding, dark and raw rein-visioning of one of myths greatest ever figures as filmmaker Michael Sarnoski reinterprets the legend of Robin Hood not as a noble hero, but instead an unreprentent thief and murderer who by divine intervention is given one last chance at redemption and honour, and what lies ahead, courtesy of A24 Films is one of the most exciting forthcoming releases of 2026.

Watch the brand new teaser trailer for The Death of Robin Hood below:

Here’s the official synopsis:

Grappling with his past after a life of crime and murder, Robin Hood (Hugh Jackman) finds himself gravely injured after a battle he thought would be his last. In the hands of a mysterious woman, he is offered a chance at salvation.

Drawing from the legend and history of Robin Hood, particularly the famous ballad, “Robin Hood’s Death”, Sarnoski finds a new path into this legendary figure, and channels his dark and jaded view of the character through the impressive presence and performance of Hollywood A-lister Hugh Jackman.

In what looks to be his best dramatic performance since Les Misérables, Jackman pours all of himself into this broken, battle-scarred rogue and outlaw who finds his wounded body cared for by a mysterious young women (Jodie Comer), and his services as a warrior are called upon to aid a group of orphaned children in an isolated monastery. Jackman delivers an incredible level of emotion and resonace in this footage, and you can feel the intensity and gravitas that is stake, in this, his final mission.

This first look really holds back an semblence of the overall narrative of the piece, and instead just gives audiences a first impression of what awaits in The Death of Robin Hood, dark, brooding and with ideal of secrey, myth, revelation and salvation at its core, audiences who are seeking cinema with bite will be utterly rewarded with this picture, and the story that it seeks to deliver.

Joining Jackman in the picture are two incredible performers with Jodie Comer and Bill Skarsgard, and both make brief appearances in this early footage. While the trailer is yet to shed light on Comer’s mysterious female character who brings the ailing Robin into her care and service, she certainly makes a strong impression in the trailer, while Skarsgard will portray Little John, here a brutish former child soldier and enforcer for Robin’s gang of outlaws, and who is the last of the band of ‘Merry Men’, and who harbours a bitter resentment towards his former master.

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With its grim atmosphere and heavy character-driven drama, The Death of Robin Hood is shaping up to be one of 2026’s most anticipated films, and we’re looking forward to what comes next with this intriguing watch when it arrives in cinemas later this year.

Image: A24 Films

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Set in the 1960s, it follows the rise of the Vandals MC, a Chicago outlaw motorcycle club. Seen through the lives of its members and their families, the club evolves over the course of a decade from a surrogate family for local outcasts into violent organized crime, threatening the original founder’s unique vision and way of life.

Writer/director Jeff Nichols has built an impressive list of credits with his stories that have captured a classic Americana feel, and now, with his sixth feature film, The Bikeriders, he adapts the true story of an Outlaw Motorcycle club to the big screen and how time and circumstance change its members as they search for desperate freedom. Based on the true story that acclaimed photojournalist Danny Lyon captured in his seminal work of the same name, The Bikeriders is a film that roars with attitude and aggression and places his audiences right in the centre of a ragtag club of outlaws who are determined to find their own sense of freedom. It’s a film that pulsates with a quintessential cool, and it is without a doubt one of the most stylish and raw pictures you’ll watch all year.

For Nichols, The Bikeriders has been his dream project that he has held onto for twenty years, and now, finally, he gets to bring this incredible world and its one-of-a-kind characters to the big screen. A passion in the truest sense of the word, Nichols brings an incredible sense of intimacy and understanding of this narrative and its players, and the result is a picture that is shaped by a director’s true vision and a desire to capture this outsider world properly. Adapting a non-linear narrative that moves back and forth between 1965 and 1973, Nichols draws on the distinctive viewpoint of Jodie Comer’s Kathy through the lens and eye of photojournalist Danny Lyons (Mike Faist). It’s through this unique perspective that audiences come to meet the Vandals MC, and their quest to ride the open road on their terms. Nichols crafts a film that is an intimate character study and an observation of a uniquely American subculture.

While The Bikeriders may be a picture of pure American masculinity and the rebels who make up the ranks of the 1%ers, its framing through a woman’s viewpoint leads to an incredibly nuanced and introspective story. Stepping into the role of Illinois native Kathy is English actress Jodie Comer, and she proves again why she is one of the most in-demand talents around. With her beehive hairdo, Chicago drawl and take-no-shit attitude, Kathy is our narrator to the events of this picture and sees a gathering of outcasts turn into something more sinister. Comer holds nothing back in her performance as Kathy, wife to the wayward and mysterious Benny (Austin Butler), who comes into conflict with the world of the Vandals and its commanding leader, Johnny (Tom Hardy). Comer uniquely captures the love/hate aspect of Kathy’s life in accordance with the Vandals, and her perspective on this story makes for an intriguing look at a captivating outsider world.

Playing opposite Comer is Austin Butler as Benny, a member of the Vandals MC and Kathy’s rogue husband, who is an outlaw biker through and through. Butler has proven that he’s a true acting chameleon with his performances, and here he is incredibly reserved and quiet. There’s an air of mystery and danger to Benny, and he’s hypnotic as this almost unknowable, beautiful rogue. Clad in denim and with a cigarette dangling from his mouth, Benny is the bad boy of every woman’s fantasy, and he’s a damn flawless specimen as his glowing muscles flex while he nurses a bourbon in his hand. It’s easy to see why Benny is the object of desire for both Kathy and Johnny, but there’s also something sad about his hellion ways, for he might be a rebel without a cause, but there’s no knowing what he’s rebelling against.

The Bikeriders is brought full circle by Tom Hardy’s Johnny, the founder and leader of the Vandals, and he’s a commanding presence as this stoic and world-weary outlaw. Hardy’s performance as Johnny is powerful as he embodies both the stoic blue-collar truck driver by day and the dangerous leader of the Vandals by night. His character, Johnny, is like a commanding general but also weary of the challenges around him, realizing that he cannot forever live the life of an outlaw. His dynamic with Kathy and their conflicts over the future of the Vandals, especially Benny’s role, adds depth to the storyline. This role truly demonstrates Hardy’s talent, solidifying his position as one of the great actors of our generation.

The movie features outstanding performances, including Michael Shannon as Zipco, Boyd Holbrook as Cal, Damon Herriman as Brucie, Mike Faist as Danny Lyon, and Norman Reedus as Funny Sonny. Faist portrays real-life journalist Danny Lyon, a young reporter observing the outsiders and who documents the story of a group of men striving to find their place. Characters like Michael Shannon’s Zipco and Norman Reedus’ Funny Sonny are depicted as outcasts who don’t fit in with society and resort to mayhem, drinking, and violence. Their performances vividly bring to life these classic outlaw American characters.

However, the irony lies in the fact that their failure to belong in society has led them to the world of the Vandals, a place with stricter rules than the constitution. This paradox forms the core of the theme of belonging in the movie and Nichols’ exploration of it. Nichols delves deeply into the theme of belonging and acceptance, which forms the heart of the narrative’s impact.

The Bikeriders is a film that was meant for the big screen, and it’s truly a mesmerizing sight. The cinematography by Adam Stone and the gripping soundtrack of classic blues and rock tunes from the mid-1960s capture the grit, grime, and texture of these bar-hopping outcasts. Everything is captured on camera, making the experience of The Bikeriders feel all the more authentic. It portrays a classic kind of American masculinity, filled with aggression and violence, but also a hard-fought sense of honour, even if it’s a flawed kind. This film evokes an immediate kind of feeling, and I believe that those who were fortunate enough to see it on the big screen will be able to look back in twenty years and say they witnessed something truly special.

The Bikeriders is a powerful portrayal of a American subculture, capturing a unique time and place with swagger and attitude. This cinematic experience speaks to primal instincts and celebrates fearless freedom, and its story solidifies the idea that genuine freedom belongs to the fearless.

Image: Universal Pictures

The post ‘The Bikeriders’ – Review appeared first on SpicyPulp.

Watch the all-new trailer for The Bikeriders below:

Here’s the official synopsis:

Set in the 1960s, it follows the rise of the Vandals MC, a Chicago outlaw motorcycle club. Seen through the lives of its members and their families, the club evolves over the course of a decade from a surrogate family for local outcasts into violent organized crime, threatening the original founder’s unique vision and way of life.

This new trailer builds on the intensity and atmosphere of the previous trailer and throws audiences straight into the violence and escalation that surrounds the Vandals MC, an Outlaw Motorcycle club in mid-1960s Chicago, as its members find themselves in the midst of a dangerous and escalating war of criminality.

The Bikeriders has long been the passion project of Nichols (Loving, Midnight Special, Mud), and he’s laboured on it for more than a decade as he’s wanted to bring to life the wild times of celebrated photojournalist Danny Lyons (played in the film by rising star Mike Faist) to the big screen.

And damn, has he succeeded with audiences initially describing the picture as ‘Goodfellas with motorcycles’ and with the dual presence of Comer and Butler as grungy star-crossed lovers Cathy and Benny, and the intimidating gravitas of Hardy as Vandals MC President Johnny, you can bet that The Bikeriders is going to be a wild watch.

 

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Brace yourself for one wild ride when The Bikeriders arrives in cinemas on July 4.

The post Freedom comes with a price in latest trailer for ‘The Bikeriders’ appeared first on SpicyPulp.

The rebel spirit throttles up in the all-new trailer for Jeff Nichol’s The Bikeriders, which adapts photojournalist Danny Lyon’s seminal book of the same name and explores the rise of an outlaw motorcycle club in the mid-1960s and the fury that comes with it.

Watch the all-new trailer for The Bikeriders here:

Here’s the official synopsis:

Kathy (Jodie Comer), a strong-willed member of the Vandals who is married to a wild, reckless bikerider named Benny (Austin Butler), recounts the Vandals’ evolution over the course of a decade, beginning as a local club of outsiders united by good times, rumbling bikes, and respect for their strong, steady leader Johnny (Tom Hardy).

Over the years, Kathy tries her best to navigate her husband’s untamed nature and his allegiance to Johnny, with whom she feels she must compete for Benny’s attention. As life in the Vandals gets more dangerous, and the club threatens to become a more sinister gang, Kathy, Benny and Johnny are forced to make choices about their loyalty to the club and to each other.

Building off of the first trailer that was released last year and declaring a new release date for June of this year, The Bikeriders is filled with masculine aggression that will kick audiences in the face as its band of outlaws takes to the road to life on their terms. With a solid cast including the likes of Jodie Comer, Austin Butler and Tom Hardy, The Bikeriders is a heavyweight film in the making, and its drama will hit hard.

This new trailer sheds light on the film’s club, the Vandals MC, and their origin as a meeting place for a group of motorcycle-riding outcasts to their turn to a burgeoning criminal enterprise, and it sure is going to be an emotional watch. Austin Butler again shows his range as young outlaw Benny, who is a straight-up rebel without a cause, and Butler is channelling a James Dean style in his portrayal. Juxtaposed to him is Jodie Comer as his lover and eventual wife Cathy, who falls for his bad boy swagger but soon falls victim to the cost of the club and the MC lifestyle and will do anything to help the two of them escape.

Central to the film’s narrative is the great Tom Hardy as the Vandals MC leader Johnny, who makes a hell of a transformative from a free-wheeling motorcycle rider to a hardened gangster and who commits 110% to the role. Hardy has a real Brando feel about him as Johnny, and he is sure is a wild one as he goes to extremes to prove his tough guy persona. And it ain’t gonna end pretty. Key to the narrative is the relationship shared between these three characters, and it’s sure to lead to plenty of dramatic tension.

There’s a host of fantastic new footage in this trailer, and set to the roaring soundtrack of The Rolling Stones’ ‘Doo Doo Doo Doo Doo (Heartbreaker)’, the energy is taken to a new height. One of the coolest moments of the trailer is when Benny, having been beaten to an inch of his life, is assisted by Johnny and the rest of the Vandals, who roll up on their intimidating horde and make good on their threat. It’s a hell of a shot and primes the audience for what will come next.

Get ready for a wild ride when The Bikeriders arrives in cinemas on July 4.

Image: Universal Pictures

The post Freedom belongs to the fearless in Jeff Nichol’s ‘The Bikeriders’ appeared first on SpicyPulp.

Watch the brand-new trailer for The Bikeriders here:

Here’s the official synopsis:

Kathy (Jodie Comer), a strong-willed member of the Vandals who is married to a wild, reckless bikerider named Benny (Austin Butler), recounts the Vandals’ evolution over the course of a decade, beginning as a local club of outsiders united by good times, rumbling bikes, and respect for their strong, steady leader Johnny (Tom Hardy).

Over the years, Kathy tries her best to navigate her husband’s untamed nature and his allegiance to Johnny, with whom she feels she must compete for Benny’s attention. As life in the Vandals gets more dangerous, and the club threatens to become a more sinister gang, Kathy, Benny and Johnny are forced to make choices about their loyalty to the club and to each other.

Adapted from the seminal photo book by journalist Danny Lyon, which charted the rise of the Outlaws MC in Chicago during the 1960s, The Bikeriders follows the rise of the Vandals, a mid-western motorcycle club that starts off as a collection point for a group of outsider bike lovers which soon turns into a dark and sister force. At its heart this is a story of three people Kathy (Comer), Benny (Butler) and Johnny (Hardy), and The Bikeriders is set to be an intense and dramatic watch for audiences.

With The Rolling Stones thumping rock track ‘Heartbreaker’ at its centre, this new trailer for The Bikeriders explodes like a Harley-Davidson running at 200 miles an hour. And it promises a hell of a watch. With Jodie Comer’s Kathy as the film’s narrator, Nichols crafts a film that is masculine and brutal in its narrative structure, and he plays off the brotherhood that is shared between Austin Butler’s Benny and Tom Hardy’s Johnny.

Butler is the rebel heartthrob with his James Dean bad boy swagger down cold as Johnny, and which draws him to Comer’s lost and impressionable Kathy. Benny is quick to anger and up for a scrap, and his focus is directed by the calculating, and intimidating leader of the Vandals, Johnny. Tom Hardy taps into his inner Brando for his role as Johnny, and he soon begins to take the club in a darker, more criminal direction that could spell doom for all of them.

Nichols is a filmmaker who, time and time again, with works like Mud, Midnight Special and Loving, has shown that he can craft amazing American hinterland drama, and The Bikeriders is a tale of the classic Americana outlaw spirit. There’s a cowboy edge to this picture, and it will end up being a wild ride for audiences.

Brace yourself for a rush when The Bikeriders arrives in cinemas on December 2.

Image: 20th Century Studios

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Check out the brand new behind-the-scenes featurette below:

Taking audiences inside the making of The Last Duel, this featurette contains never before seen behind the scenes footage, numerous b-roll, on-set photography and Scott’s on personal hand-drawn storyboards and you truly get a taste of the scale and scope that awaits audiences in The Last Duel.

Of his process as a filmmaker, Scott commented saying, “for me every scene has to have a stake. Large or small. The message is simple, what do I want the audience to walk away knowing.”

This insight into Scott’s process as a filmmaker and the attention to detail that he brings to the craft is sure to intrigue fans, and it’s incredible to see such a wealth of footage play out before us.

Here’s the official synopsis:

In 14th-century France, knight Jean de Carrouges (Matt Damon) and his squire Jacques Le Gris (Adam Driver) are ordered to fight to the death after Carrouges accuses Le Gris of raping his wife.

The Last Duel will arrive in cinemas on October 21.

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In the open world video game Free City, Guy (Reynolds) is a non-player character (NPC) working as a bank teller. Thanks to a program developed by programmers Millie (Comer) and Keys (Keery) inserted into Free City by the publisher Antwan (Waititi), Guy becomes self-aware of his world being a video game, and takes steps to make himself the hero, creating a race against time to save the game before the developers can shut it down.

Taking audiences inside a fully-rendered video game universe come to life is comedy all-star director Shawn Levy and with Ryan Reynolds at his side, these two creative partners craft one of the most enjoyable times at the cinema you’ll have all year. In Free Guy, Levy takes audiences inside the world of Free City, an off-the-wall crazy video game metropolis come to life that is packed out with slick heroes, exploding cars, non-stop gunfire and where the rules of the real world don’t apply. Levy builds a world that is an utter spectacle to witness, and it’s in this crazy environment that he introduces us to Ryan Reynolds’ ever-loveable Guy who is about to level up in a very big way.

Mixing together different genres from action cinema to hair-raising comedy, the heartfelt love story and the blockbuster special effects rollercoaster, Levy crafts what is undoubtedly one of the most original cinematic presentations of the last decade. And it’s so much fun to watch. But what Levy really gets right is the heart and joy of this film, and Free Guy is ultimately the story of an NPC who finds a way to take control of his life and the results are very fun to watch. Mixing together the narratives of both Free City and the real world keeps the narrative of Free Guy very entertaining and Levy and his crew have a lot of fun in taking audiences for a real ride with this one.

Ryan Reynolds might be one of Hollywood’s biggest stars, but in Free Guy, he’s just Guy, an everyday, ordinary bank teller, also known as ‘blue-shirt guy’ who is a little too content with his life. That is until one shocking moment spins his world in a loop and soon Guy’s on a mission not just to be the good guy, but the great guy! Leaning into his spot on improvisation skills Reynolds keeps the energy and momentum of Free Guy fun and engaging, and with this evolving character and his knack for comedic timing you never know what he’s going to do next. There’s also a certain meta quality to Reynolds performance in Free Guy and he fully embraces the fun, zaniness and totally out there energy that exists within this narrative.

Finding herself at the centre of Guy’s world as his ultimate dreamgirl is rising star Jodie Comer as Molotov Girl/Milly and things get very complicated for Comer in this film. Existing as both a Free City avatar, alongside living her life in the real world, Milly goes on quite a journey alongside Guy, and the two of them grow and evolve together throughout the film and form a connection that will absolutely resonate with audiences. Comer is utterly impressive in her first major film appearance and completely keeps up with Reynolds, alongside giving the Canadian performer a real run for the money with her own performance in the film. Great on-screen chemistry keeps things interesting and Comer really makes the role her own.

But every story needs a villain and they don’t come more disdastardly than New Zealand’s very own Taika Waititi in the role of kooky tech publisher Antwan. And Taika’s performance is completely off the wall here! As the puppeteer of Free City, Antwan is only concerned with the profit margin and wielding absolute power has turned him into one hell of a troll and he wastes no time in letting his underlings know where they stand. Waititi makes for a hilariously funny bully as Antwan and there’s a terrific Kiwi flavour to his performance as Antwan, and audiences will be in uncontrollable fits of laughter thanks to his performance and the choices he makes in the role.

Did we mention that Free Guy is a wild ride? Yep, it totally is! The laws of physics don’t apply in the crazy landscape of Free City and it’s incredible to watch this multiplayer video game world come to life on the big screen. Director Shawn Levy and his team really crank up the volume with the action of Free Guy, and Reynolds gets to do some utterly crazy things as he sets off to be the great guy. Free Guy really does have everything you could want in an action movie and the results speak for themselves with some crazy set-pieces. And while I do want to stay away from spoilers, I will say that pop culture fanatics will be in for some thoroughly awesome treats with this movie…so keep your eyes open.

Alongside the action of Free Guy is the comedy. And it’s EPIC! Seriously this film is hilariously funny, and when Reynolds, Comer and Waititi start cracking jokes there’s no stopping them. Plus there’s the nuances and general hilarity of the video game world of Free City and the actions of its ‘community’ of Free City that only adds to the laughs. You can also expect a few hilarious surprises along the way as well, and one such surprise single-handedly had me in an uncontrollable fit of laughter. You’ll know it when you see it, and this special guest really brings out the LOLs of Free Guy. Trust me.

I also can’t forget to mention the heart of Free Guy as well, and there’s plenty to love and adore with this film because at its core Free Guy is ultimately a love story. That’s right, romance is in the air and from the moment he hears Molotov Girl humming Mariah Carey’s ‘Fantasy’ he’s completely smitten and these two go on a wondrous journey of first love as they come together to not only save Free City, but also each other. But that’s not where the love ends, and this digital love spills out into the real world and this is where it gets really interesting in Free Guy. The love that exists between Guy and Molotov Girl is sweet, nostalgic and ultimately heartfelt and audiences will be sure to have all the feels with this one.

From beginning to end, Free Guy is a story of love, adventure and explosions, but Levy, Reynolds, Comer, Waititi and the rest of the cast and crew work to tell a very engaging story of what it means to wake up to your life and ultimately make it the best it can possibly be. This is a story of possibility, optimism and hope, and watching Free Guy you can’t help but feel the joy. Are there obstacles and difficulties to overcome? Of course there are, but this is a story that asks its audience to believe in the possible and shows how working together can ultimately lead to some very big wins. You can’t help but feel joyful and positive after watching this movie and it really is so much fun!

Free Guy is far and away one of the most original and creatively enjoyable pieces of cinema that I can remember watching in a long, long time. Every part of this movie is an utter joy to watch and its perfect combination of creative expression, topline performance, bombastic action and heartfelt romance will leave you with a very big smile on your face. It’s not simply a good movie….IT’S A GREAT MOVIE!

Image: 20th Century Studios

The post ‘Free Guy’ – Review appeared first on SpicyPulp.

While appearing on The Tonight Show with Jimmy Fallon to promote his new drama Stillwater, Damon opened up about what it was like to re-team with childhood best friend Ben Affleck to pen the script for The Last Duel. The first film they’ve written since their 1997 Oscar-winning feature Good Will Hunting.

“It’s the first film we’ve written in like twenty-five years or something. We wrote it with another great writer called Nicole Nicole Holofcener. It’s gonna come out later in the year but it’s about, it’s about the last sanctioned duel in medieval France between these two knights, one of whom accused the other of raping his wife, and they fought to the death and it’s all based on this history book that we read. So we adapted that, but we saw it as a story of perspective, and so Ben and I wrote the male perspective and Nicole wrote the female perspective. And we’re really excited about it, Ridley Scott is directed it,” said Damon.

Adapted from the best selling book The Last Duel: A True Story of Trial by Combat in Medieval France by Eric Jager, The Last Duel is a gripping tale of passionate love, a shocking crime, a hard-fought path to justice and a brutal vengeance. In short, it’s an absolutely epic story of true historical fiction, and from what we’ve seen from the first trailer we can tell you that we’re well excited to see Ridley Scott’s vision for this project brought to the big screen.

The first trailer made for an epic watch and Damon’s enthusiasm for the project is very clear and we can’t wait to see more from the film.

Watch the full clip below:

The Last Duel will arrive in cinemas on October 14.

The post Matt Damon talks co-writing ‘The Last Duel’ with Ben Affleck appeared first on SpicyPulp.

Watch the full trailer for The Last Duel below:

Here’s the official synopsis:

In 14th-century France, knight Jean de Carrouges (Matt Damon) and his squire Jacques Le Gris (Adam Driver) are ordered to fight to the death after Carrouges accuses Le Gris of raping his wife.

Based on the true historical combat that occurred in Paris, France on 29 December 1386, The Last Duel, which is adapted from the gripping true story by Eric Jager, and which was adapted to the big screen by Matt Damon, Ben Affleck and Nicole Holofcener makes for a compelling and epic story, and audiences are sure to thrilled and ensnared by this ultimate tale of medieval combat.

Scott, who is revered as a master cinematic world builder, and who has entertained with fantastical films that include Alien, Gladiator, Kingdom of Heaven and All The Money In The World has crafted something utterly superb in The Last Duel, and the scale, scope and detail of this project is sure to entrance audiences.

Matt Damon and Jodie Comer star as Jean de Carrouges and his wife Marguerite in the film and the pair absolutely stun with their performances in this first trailer, and their chemistry together is sure to keep audiences enthralled and enchanted. Added to that is the dark energy of Adam Driver as Jacques Le Gris, Carrouges’ squire and court favourite, who commits a terrible crime and who almost gets away with it until Carrouges demanded a battle to the death to ensure God’s true justice. Finally, Ben Affleck brings the story together as Count Pierre d’Alençon, Carrouges and Le Gris overlord who adjudicates the first arguments between these two knights and sets in motion the events for a bloody showdown.

The Last Duel is a film of ultimate cinematic quality that needs to be seen on the big screen and is also a full-circle moment for Scott as it brings him back to his very first film with The Duellists which was released in 1977. It’s an utterly epic work and I cannot wait to see this arrive on the big screen.

The Last Duel is a film that I can barely contain my excitement for and I cannot wait to see the action of this new project unfold when it arrives on the big screen on October 14. Prepare thyself for the ultimate tale of love, honour and revenge with this one.

Images: 20th Century Fox

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